View from Thoreau's cabin

View from Thoreau's cabin
Walden Pond at dawn

Monday, May 17, 2010

Hamlet



Hamlet was caught between the heroic realm and the transformed. He could not accept his responsibility as being heir to the throne. Even if he did not literally kill his father, he contributed to his father's death by not preventing it. The burden of this particpation is too much for him. In the following alchemical plates from Janus Lacinius Therapas depicting the transformative sequence to the “lapis”, the philosopher’s stone, we see the son and five servants representing the potentialities of life seeking recognition of a “sleeping” emperor.

The king is sleeping because he is no longer conscious and his time is over. The image suggests the servants are beseching him for change and he is unresponsive. It falls on the son, as pharmakon, to initiate the transformation.



So he kills the king, the old order, the cultural world view (Becker) the status quo. Change requires the sacrifice. The king in Hamlet could not accept his fate and still haunts the moors looking to avenge his death. Hamlet picks up on the projection and becomes the avenger, though he is unable to follow through. Hence he is caught inbetween worlds in which he fulfills the role of hero and the role in which he is transformed. He resists the transformation-that is his tragedy. He becomes victom of the process. Next post we will explore what Hamlet would have needed to be able to do to become transformed.

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